People creating movie, TV, and stage sets often need to be really ingenious. The things they lavish the most attention to likely have powerful effects on our experience of space. As Alexis Soloski (2023, “Flowers and Fake Marble: How TV Production Designers Create the Past,” The New York Times,https://www.nytimes.com/2023/09/10/arts/television/gilded-age-lessons-in-chemistry-production-design.html) reports: “The scenic artists of “The Gilded Age” can paint a half-dozen distinct marble varieties. To pause at nearly any frame of the show is to marvel at the meticulous mix…